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Archive | How To Teach

Safer and Higher Jumping

Safer Higher Jumping

Everyone wants to jump higher and no one wants to get hurt.   But I know I am not the only one who encounters students flailing themselves into the air with nary a care about how they get there and how they get back down.  Just watching them causes pain to shoot through my joints. To […]

How I Mix Up Port de Bras for My Students

How I Mix Up Port de Bras

Balancé Temps de Fleche Saut de Chat Chassé Entournant Tombé Pas de Bourrée Just a few steps for which many dancers have a default port de bras. There are many steps that would make it on this list. Maybe at one school all the dancers extend the arms to the First Arabesque line for a […]

Hands and Fingers Make All the Difference

Hands and Fingers Make the Difference

The advanced dancer looks for ways to set themselves apart from the rest. How can they make their pirouette look different from the dancer standing next to them? What quality can they inject into their petit allegro that will glue all eyes on them? What dynamic do they wish to incorporate into their port de […]

Three Fundamentals of Safe Pointe Work

Safe Pointe Work

Above all, we prioritize safety. While we want our dancers whipping out strings of fouetté turns and series of hops en pointe, what we want more than that is for our dancers to have longevity and undamaged bodies. Pointe training is a special challenge because it is extremely individual. More so than ballet class. And […]